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Tom Cooper Price at the Piano Two recent events have helped to move us further towards the new rooms project. On March 3rd the aftern...
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Malachi 3:1-5 A reading from the book of the prophet Malachi. Thus says the Lord God: See, I am sending my messenger to prepare the way bef...
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Exodus 24:12-18 A reading from the book of Exodus. The Lord said to Moses, “Come up to me on the mountain and wait there; I will give you ...
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This evening at 6pm we had our service of Carols and Readings, following the traditional pattern. We gathered on a wet and windy evening to ...
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Today was misty and murky and quite a few people were stuck at home, hemmed in by the floods after all the rain we have had. Fr Roger preach...
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A cold and unwelcoming day outside but not in St Mary's. Fr Chris was busy elsewhere on his other duties so we had the pleasure of Fr R...
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The annual Church Fete was held this year in a different location, and in very wet weather! We were unable to use the Vicarage Field this ye...
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Our Matins Service today was taken by Father Roger, as Father Stephen was away. The Psalm for the day was Psalm 14, and the Readings from t...
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Today is the first day of spring. Lets hope we have seen the last of the heavy rain and welcome some sunshone into our lives. The plants are...
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As we are in Lockdown at the moment the Sunday School is not meeting, but the learning goes on! The team of Sunday School leaders prepare w...
Requiem Gabriel Fauré (1845-1924)
Gabriel Fauré, born in 1845, was appointed titular organist a La Madeleine, Paris, in 1896 and director of the Paris Conservatoire in 1905.
Fauré started to think about the composition of a requiem in 1885 after the death of his father. Unlike Berlioz and Verdi he removed the Dies Irae sequence, which he considered over theatrical. Hence the Offertorium comes up much sooner than is usual in a requiem mass setting. He permits himself only a brief reference to the “day of wrath” in the Libera me baritone solo.
Gabriel Fauré
Fauré’s Requiem happily lends itself to a liturgical performance by amateur choirs, being particularly popular with English choirs, with the organ taking the place of the orchestra. This seems to have been recognised early on its life, coinciding as it did with liturgical experimentation in the Church of England in the late 19th and early 20th centuries – experiments now adopted and sanctioned for universal use with the introduction in 1980 of the Alternative Service Book and more recently the Common Worship services. These owe their formation to the proposed 1928 Prayer Book and the English Missal (1933) and their structure, including additions to the Book of Common Prayer, fit best with Fauré’s arrangement of sections. The 1928 Prayer Book and English Missal largely formalised a variety of liturgical practices which had been used in sung Communion services previously.
The service is an act of worship, to include remembrance of the departed, and may sound something like a similar service in an English church at about the time of Faurés death in November 1924, when sections of his requiem were sung at his funeral at La Madeleine.
| Faure in 1907 from Wikipedia |
Join us for Evensong this afternoon at 3.30pm, the winter timing as the clocks went back last week. It also means we have tea and cake after the service.
Service Times
10:00am Family Service
Second Sunday in the Month
10:00am Parish Eucharist
Third Sunday in the Month
08:00am Holy Communion
08:00am Holy Communion